Virtue of the Vicious

Tarp And Capitol (1)

Hyde Park Art Center presents Virtue of the Vicious, an examination of the current political climate from the perspective of eight contemporary American artists, running July 16 – October 22 in the Kanter McCormick Gallery. Curated by Hyde Park Art Center’s Director of Exhibitions & Residency Programs Allison Peters Quinn, the exhibition presents photography, sculpture, painting and video by Paul Stephen Benjamin, Kevin Blake, Jasmine Clark, Eric J. Garcia in collaboration with Luis Mayorga, Michelle Hartney, Jay Turner Frey Seawell and El Coyote Cojo (Emilio Rojas and Adela Goldbard). Patriotism manifests itself in the American landscape and culture in obvious and covert ways. Artists participating in the exhibition examine the pride, loyalty, ownership, discrimination, and fierceness that simultaneously characterize this conflicted allegiance in the current political climate through their artwork. 

“The title of the exhibition, taken from a quote attributed to Oscar Wilde, alludes to the complicated emotions associated with loving and supporting one’s country while not being proud of its’ actions,” explains Peters Quinn. In Virtue of the Vicious, artists explore feelings of pride, loyalty, ownership, discrimination and fierceness that simultaneously characterize this conflicted allegiance in today’s political climate.

Examining the nation’s moral compass through visual clues in the landscape, cityscape, media imagery and historical anecdotes, artists evoke a range of emotions. The hopeful “Make American Love Again” campaign by artist Michelle Hartney quietly encourages compassion as a patriotic exercise, while an installation by the El Coyote Cojo collaborative illustrates the uncomfortable historical thread of the popular past time baseball, creating a metaphor for Mexican-American experience of loss and negation of identity. In his photographs, Jay Turner Seawell frames Washington DC’s national monuments, architecture and government buildings, some in disrepair, as symbols for the relationship between citizens and the government. Eric J. Garcia’s graphic animation and sculpture criticize America’s culture of violence using the satirical tradition of political cartoons. For the exhibition, Garcia works with Luis Mayorga to create a new large scale animation, illustrating filter bubbles and distortive reporting in the news media.

The exhibition reception will take place Sunday, September 10 from 3-5 pm. Curator, Allison Peters Quinn will lead a lunch time tour of the exhibition Friday, August 11 at 12 pm. More events will be posted on the website at a further date.